Houses, furnitures and objects Illuminati

Shuna

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Come to think of it, quick note (I may have made some errors):
The book of the dead in Egypt, represents on the parchment. Those who are condemned to hell, represented by a beast, whose mouth is equal, to the hole of hell (to the lake). And on the other, Paradise, represented by a field of reeds (which we cannot see). If the heart (the physical body is heavier, or the bad intentions are heavier. The body remains on earth (and in this case, this fact eaten by the beast, the soul is black in color). If the most is lighter, the soul goes to Heaven, the person has done, what he had to do on earth. And so the soul, at rest, goes to Heaven. The soul is therefore lighter than the body and is white That they can "purify", elevate through prayers, which are a source of energy.
The guardian of the dead, has a scale to see in which side it leans. The strings, which joins the plateau (the Man, the earth). Round for the physical heart and the spiritual heart. And whose strings go to a point, representing two pyramids (the pillars, are the obelisks, of each material). The guardian of the gates, can be linked to the 8-pointed star. Two squares form the star. One of the squares represents the mind, the other the body.

Another little note:
I just thought of Doctor Who and especially the Tardis, which is a public telephone to call the police. The telephone box, which has a line, like the old telephones, which make reference to the movement of the planets in the sky:
1675098945740.png
The pharaoh became the pharaoh after passing under a special room, which is similar to an English guard cabin. Where they had to communicate with the Gods, to become, Pharaoh (who was and represented the Gods, the 90% the Sun God, God of Upper Egypt).
 

Shuna

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I thought back to the scene, in the series "Mr. Robot". Where in front of one of the doors of a church, a large veil, with a ton of Gods. When I think about it, the egregores come from thinking it human, and according to the testimonies. A dead person keeps his last appearance. I didn't think that a person, who gives an idea, gives a part of himself. So, why not, his appearance. As, others testify, that the egregores, are several people, seen that they are born from a mainly collective idea.
 

Shuna

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Need an opinion, on this link: Is it fair?: I wanted to look for links between Odin and Baal. While doing the article on the egregores, I wanted to focus on that of Freemasonry. Where, I forget where, I saw that he said that he, for some people, was related to Odin. Otherwise, I also saw links with Baal. They are both related to lightning (which is also related to everything electronic) and others. The symbols of Baal, the eight-pointed star, is made up of two squares. The symbol of the physical, one is for the body and the other is just the same for the spirit. It also has the symbol of the Maltese cross. Or the Rose des Vents, which is a navigation tool. Like the light, from a lantern, which illuminates a path, on land or on water...: Here is the link:
Exploring the Jezebel Family Tree: Baal and the Queen of Heaven, Part Three — Desirée M. Mondesir (desireemmondesir.com)
 

Sibi

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Need an opinion, on this link: Is it fair?: I wanted to look for links between Odin and Baal. While doing the article on the egregores, I wanted to focus on that of Freemasonry. Where, I forget where, I saw that he said that he, for some people, was related to Odin. Otherwise, I also saw links with Baal. They are both related to lightning (which is also related to everything electronic) and others. The symbols of Baal, the eight-pointed star, is made up of two squares. The symbol of the physical, one is for the body and the other is just the same for the spirit. It also has the symbol of the Maltese cross. Or the Rose des Vents, which is a navigation tool. Like the light, from a lantern, which illuminates a path, on land or on water...: Here is the link:
Exploring the Jezebel Family Tree: Baal and the Queen of Heaven, Part Three — Desirée M. Mondesir (desireemmondesir.com)
Thanks for that link! It looks like an interesting website to explore. I read a book about the origins of pagan mythology and how across the world they were all really the same. I will try to remember what it was called and add more.

Odin & Ba'al - Note: Both the ancient Norse and Canaanites / Phoenicians, practiced human sacrifice
  • Baal and Adon both mean lord or master
  • Son of Baal = Son of Adon / Odin

Odin / Adon / Woden / Godan / "god"
  • Adon (Phoenician: ) literally means "lord." Adon has an uncertain etymology, although it is generally believed to be derived from the Ugaritic ad, “father.”Canaanite/Ugaritic tradition, ʾadn ilm, literally "lord of gods" is an epithet of El. However, ʾadn "lord" could also be an epithet of other gods. Ugarit family households were modeled after the structure of the divine world, each headed by an ʾadn meaning in this context "master" or "patron". Generally, this was the patriarch of the family and there may be some relation between ʾadn and the Ugarit word for "father", ʾad
  • German Lombard/Langobardi tribe: Godan. From Etymonline: god. Old English god, 'supreme being, deity', from proto-Germanic *guthan (cf. Du. 'god', German 'Gott', Old Norse 'guð', Goth 'guþ'), from proto-Indo-European *ghut - 'that which is invoked' (cf. Skt. huta - 'invoked', an epithet of Indra), from the root *gheu(e) - 'to call, invoke'. This seems to be a related word.
Baal / Baldur / Baeldaeg / Belanos
  • Norse - Odin had a son with Frigg called Baldur.
    • Baldur (god of light)
      • His wife was called Nanna.
      • His name may come from old Norse bál, “fire” and baldr "bold", proto-Indo-European root *bhel- “white".
  • Old English - Woden was the legendary king of Angeln, and ancestor figure by many of the Anglian, Jutish and Saxon tribes which migrated to Britain. Woden had a son called Baeldaeg.
  • Celtic / Gaulish
    • Belenus (god of light, of the Sun, and of health)
      • Also called Bel, Beli, and Bile
      • The star HD 8574 was named Bélénos after this god
      • Associated with Apollo
  • Chaldee
    • Baal-zer - Seed of Baal
    • Similar to "Baldur"
Nanna
  • Nanna was the god of the moon and wisdom with his wife Ningal (goddess of fertility) had Inanna / Ishtar (goddess of love and sexuality) & Nusku (god of fire and light)

  1. Baldur (pronounced “BALD-er;” Old Norse Baldr, Old English and Old High German Balder) is one of the Aesir gods. He’s the son of Odin and Frigg, the husband of the obscure goddess Nanna (goddess of joy and peace) , and the father of the god Forseti. He’s loved by all the gods, goddesses, and beings of a more physical nature. So handsome, gracious, and cheerful is he that he actually gives off light.
    • The meaning and etymology of his name are uncertain and have been the topic of intense scholarly debate. Numerous possibilities have been proposed, including a derivation from the Proto-Indo-European root *bhel- (“white”), Old Norse bál, “fire,” or a hypothesized word for “lord” common to various Germanic languages. The most straightforward – and probably correct – explanation, however, is that his name comes from the Old Norse word baldr, “bold.” Scholars have been reluctant to accept this explanation due to its implication of a warlike character for Baldur. But as we’ll see below, Baldur may not have been as innocent and passive as he’s portrayed to be in the late Old Norse literary source that provides the most extensive description of the god and the tales in which he features.
    • Other than that, references to Baldur are scarce. He’s mentioned in an Anglo-Saxon chronicle (where he’s given the additional name Bældæg, “The Shining Day,” and described as a son of Woden, the Old English name for Odin). Another brief reference to him can be found in the so-called Second Merseburg Charm from continental Germany, which comes from a manuscript that dates from the ninth or tenth century CE.
    • Baldur was the god of light often called the ‘Shining One’ and is considered to be one of the most important deities in Norse mythology. Based on information taken from Gylfaginning, part of Snorri Sturluson’s Prose Edda, he is so fair of feature and so bright that light shines from him. He is also known as the wisest of the Aesir and the fairest spoken and most gracious.
    • Baeldaeg's Folk were the origin of the "Angles" or Anglos. The Angles gradually migrated west from what is now Poland about the first century AD until, by the fourth century they had settled in modern central Denmark, replacing the Germanic Cimbri and Teutones who had existed there in diminished numbers since before the first century BC. The region gradually gained the name of the new settlers, becoming Angeln, Angel, or Angulus. By the fifth century, this covered the territory between the River Eider in the south (now in Schleswig-Holstein), bordering the Old Saxons, to the River Kongeaen in the north, bordering the Jutes. Angle settlement also extended further southwards into Germany and along the Frisian coast of the Netherlands. King Alfred of Wessexwas careful to note this himself, suggesting a wide-ranging area of settlement of the Angles, and a relatively large population. Woden, legendary king of Angeln, is claimed as an ancestor figure by many of the Anglian, Jutish and Saxon tribes which migrated to Britain. Although entirely impossible to prove, one theory is that this semi-mythical figure represents a powerful Anglian king whose many sons and their descendants found or created positions of power as the Anglian peoples fragmented before and during their migration (see feature link for more). One of the sons of Woden, Bældæg was claimed as the originator of the line of princes which migrated to Britain in the fifth century. These princes are claimed as the founders of the Saxon Gewissae peoples who may have occupied the Thames Valley region of southern England. The problem is that their lineage seems to have been hijacked by the West Saxons at a later date and appended to the Cerdingas, the founders of the West Saxon kingdom.
  2. Baldur's wife was Nanna.
    • Inanna is the ancient Sumerian goddess of love, sensuality, fertility, procreation, and also of war. She later became identified by the Akkadians and Assyrians as the goddess Ishtar, and further with the Hittite Sauska, the Phoenician Astarte and the Greek Aphrodite, among many others. She was also seen as the bright star of the morning and evening, Venus, and identified with the Roman goddess. Inanna is one of the candidates cited as the subject of the Burney Relief (better known as The Queen of the Night), a terracotta relief dating from the reign of Hammurabi of Babylon (1792-1750 BCE) although her sister Ereshkigal is the goddess most likely depicted.
  3. Inanna's father was called Nanna.
    • Nanna (also known as Nannar, Nanna-Suen, Sin, Asimbabbar, Namrasit, Inbu) is the Mesopotamian god of the moon and wisdom. He is one of the oldest gods in the Mesopotamian pantheon and is first mentioned at the very dawn of writing in Sumer c. 3500 BCE. His worship continued until the 3rd century CE. Nanna was his Sumerian name while he was known as Sin, Nanna-Sin, Nanna-Suen and other names by the Akkadians, Assyrians, Babylonians, and others. His cult center was the great temple and ziggurat at the Sumerian city of Ur, and he is frequently mentioned in hymns and inscriptions from the Ur III Period (2047-1750 BCE) as the chief god of the pantheon with the epithet Enzu, lord of wisdom. His importance is evident in the number of inscriptions which refer to or praise him and the stories in which he features. He was the son of Enlil and Ninlil and is their first-born after Enlil seduces Ninlil by the riverbank in the myth Enlil and Ninlil. His wife was Ningal (also Nikkal, the 'Great Lady'), a fertility goddess, and their children were Utu-Shamash (the sun god) and, in some stories, his twin sister Inanna/Ishtar (goddess of love and sexuality), Ereshkigal (Queen of the Dead), and Ishkur (also known as Adad, god of storms). An interesting aspect of this family tree is that the moon (Nanna) is the father of the sun (Utu/Shamash). It is thought this belief originated in the early days of a hunter-gatherer social structure when the moon was more important to a community for traveling by night and telling the time of the month; the sun only became more important once the people settled down and began to practice agriculture. He was an immensely popular god, one of the original Sumerian pantheon. His cult center was at Ur and his most famous high priestess was Enheduanna (l. 2285-2250 BCE), although he also had an important temple at Harran in modern-day Syria where his son was Nusku, god of fire and light. Nanna, Ningal, and Nusku were worshiped as a triad, though this veneration mainly focused on the father and son.
  4. Celtic Belenus
    • The theonym Belenus (or Belinus), which is a latinized form of the Gaulish Belenos (or Belinos), appears in some 51 inscriptions. Although most of them are located in Aquileia (near modern Trieste, Italy), the main centre of his cult, the name has also been found in places where Celtic speakers lived in ancient times, including in Gaul, Noricum, Illyria, and the British Islands. Linguist Blanca María Prósper argues that Belinos was probably the original form,which also appears in the name Belyn [cy] (from an earlier Belinos), a Welsh leader who died in 627 AD. Known variants include Bellinus and perhaps Belus.The deity may also have been known in Ireland and Britain by the variants Bel, Beli, and Bile

 

Sibi

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“The eye is the lamp of the body; so then if your eye is clear, your whole body will be full of light. But if your eye is bad, your whole body will be full of darkness. If then the light that is in you is darkness, how great is the darkness!” – Matthew 6:22-23

VC's article on One Eyed gods
Odin has one eye



Eye of Horus, in ancient Egypt, symbol representing protection, health, and restoration. According to Egyptian myth, Horus lost his left eye in a struggle with Seth. The eye was magically restored by Hathor or Thoth, and this restoration came to symbolize the process of making whole and healing. For this reason, the symbol was often used in amulets.



Odin had an 8 legged horse
Ardre VIII image stone and Tjängvide image stone . Odin & Slepnir are on the top right on both.
 

Sibi

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Baal / Balder / Baeldaeg / Beldeg the son of Odin and husband of Nanna is taken as a literal descendant by some
 

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Odin's human sons
  • Beldeg, king in Westphalia (Snorri Sturluson, Poetic Edda). Snorri identifies him with Odin's son Baldur. The Anglo-Saxon Chronicle says he was ancestor of the kings of Bernicia and Wessex. Historia Brittonum derives the kings of Deira from Beldeg rather than from Wægdæg.
  • Cagles / Capur. No source found. More research needed.
  • Casere, ancestor of the kings of East Anglia. He is thought to represent Julius Caesar.
  • Gauti, ancestor of the Goths or Geats. (Herrauds saga). Historia Britonum calls Geat a son of a god but Asser in his Life of Alfred says the pagans worshiped this Geat himself as a god. In Old Norse texts Gaut a common byname for Odin. Jordanes traces the Amelungs to a figure named Gapt, who is said to be the first Gothic hero (The origin and deeds of the Goths). It's possible Gapt is another version of Gauti.
  • Sæming, ancestor of Jarl Hákon (Snorri Sturluson, Poetic Edda), but son of Yngvi-Freyr in the Ynglinga Saga, also by Snorri Sturluson.
  • Seaxnēat, ancestor of the Saxons, and the kings of Essex. He seems to have been added as son of Odin relatively late, in order to harmonize the Essex line with other royal genealogies.
  • Sigi, ancestor of the Völsungs and the Burgundian kings (Snorri Sturluson, Poetic Edda).
  • Sigrlami, king of Gardariki (Hervarar saga ok Heidreks konungs, versions H and U). In version R his parentage is not given.
  • Skjöld, ancestor of Danish kings ((Snorri Sturluson, Poetic Edda and Ynglinga Saga). However, Saxo Grammaticus makes Skjöld the son of Lother son of Dan (Gesta Danorum). English tradition makes Skjöld (called Scyld or Sceldwa) the son of Sceafa or of Heremod when a father is named.
  • Vegdagr / Wægdæg / Wecta, king of East Saxony (Snorri Sturluson, Poetic Edda). Snorri makes Vegdeg ancestor of the English kings of kent and Deira. The Anglian Collection of English royal genealogies has Wægdæg in both genealogies.The Anglo-Saxon Chronicle has two different characters, Wecta, the ancestor of the kings of Kent, and Wægdæg, the ancestor of the kings of Deira.
  • Weothulgeot or Wihtlæg, ancestor of the kings of Mercia (Anglo-Saxon Chronicle; Anglian Collection). The Anglo-Saxon Chronicle says Wihtlæg was the son of Odin, but in Historia Brittonum Wihtlæg is a grandson of Weothulgeot, who is the founder of the Mercian dynasty according to genealogies in the Anglian Collelction.
  • Winta, ancestor of kings of LIndsey / Lindisfarne (Anglian Collection""). Not included in the Anglo-Saxon Chronicle.
  • Yngvi, ancestor of the Swedish Yngling dynasty (Snorri Sturluson, Poetic Edda), but identified with Freyr son of Njörd in the Ynglinga Saga, also by Snorri Sturluson.
Anglo-Saxon Chronicle
Composed in the 9th century, probably at the court of the Kings of Wessex. It survives in nine manuscripts.

Descent of the Kings of Wessex
  1. Odin
  2. Baeldaeg
  3. Brond / Brand
  4. Frithugar
  5. Freawine
  6. Wig
  7. Gewis
  8. Esla
  9. Elesa
  10. Cerdic, 1st King of the Saxons in England, see the list of problems
  11. Crioda
  12. Cynric, King of Wessex
  13. Cealwin, King of Wessex
  14. Cuthwine
  15. Cutha / Cuthwulf
  16. Ceowald
  17. Cenred, King of Wessex
  18. Ingeld
  19. Eoppa, King of Wessex
  20. Eafa, King of Wessex
  21. Ealmund, Under-King of Kent
  22. Egbert, 1st King of England
Descent of the Kings of Mercia
  1. Odin
  2. Wihtlaeg
  3. Wermund
  4. Offa
  5. Angeltheow
  6. Eomer
  7. Icel, King of Mercia
  8. Cnebba, King of Mercia
  9. Cynewald, King of Mercia
  10. Cryda, King of Mercia
  11. Pybba, King of Mercia
  12. Penda, King of Mercia and Wessex
18th and 19th century scholarship
In the 18th and 19th centuries scholars rejected the idea that Odin was descended from Adam. They accepted the traditional idea that Odin was a man who had been transformed into a god, but re-arranged and rationalized the sources to create a purely Saxon pedigree.

The English had a particular interest in descents from Odin (Woden) because of their national origin from the Anglo-Saxons. This interest was heightened after the marriage of Queen Victoria to Prince Albert of Saxe-Coburg & Gotha.

One example of this genre is James Anderson, Royal Genealogies (1732), 69, 447. Anderson's work is the original source for many genealogies that later became the standard lines used by British and American genealogists. The line given by Anderson runs as follows:

  1. Harderich, King of the Saxons, A.M. 3914, before Christ 90
  2. Anserich, King of the Saxons, A.M. 4004, or A.D. 1
  3. Wilke I, King of the Saxons, A.D. 8, d. A.D. 30
  4. Swarticke I, Prince of the Saxons, A.D. 30, d. A.D. 76
  5. Swarticke II, Prince of the Saxons, A.D. 76, d. A.D. 80
  6. Sigward, Prince of the Saxons, A.D. 80, d. A.D. 100
  7. Witekind I, King of the Saxons, flourished A.D. 106
  8. Wilke II, Prince of the Saxons, d. A.D. 190
  9. Marbod, King of the Saxons, A.D. 190, d. A.D. 256
  10. Bodo or Woden, King of the Saxons 256, d. 300. He was their deified Mars. Md. Frea or Fria, his Queen, by them adored as the Goddess Venus.
    1. Witte I or Vecta, King of the Saxons, A.D. 300, d. 350 (son of Veldec (p. 69) or of Bodo (p. 447)
    2. Cacer or Cacera, the 2nd son
    3. Saxoneta or Seaxnod
    4. Witelgetha or Wethelgeate or Witholgiarus
    5. Weagdeagus or Webdeg
    6. Bealdeagus or Beldeg
 

Shuna

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Ooooh !!! THANKKK YOUUU !!! for all the information, it will help me a lot.
 

Sibi

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English king Alfred the Great descended from Baeldaeg.
By 886, according to the Anglo-Saxon Chronicle, “All the English peoples acknowledged Alfred as their king except those who were still under the rule of the Danes in the North and the East”.


His royal council was called the Witan (wise men)
  • The Witan (lit. 'wise men') was the king's council in Anglo-Saxon England from before the seventh century until the 11th century. It was composed of the leading magnates, both ecclesiastic and secular, and meetings of the council were sometimes called the Witenagemot.
He created forts and walled towns called burhs.


From the book After the Flood, by Bill Cooper


The House of Wessex


More on the Gewisse
*Fun fact about the word gewisse - it is a german word for certain
  • German - gewiß formerly standard spelling of gewiss which was deprecated in the spelling reform (Rechtschreibreform) of 1996.
  • From Middle High German gewis, from Old High German giwis, from Proto-Germanic *gawissaz (“known, certain, sure”). Cognate with Dutch wis, English iwis.
  • Adjective: gewiss (strong nominative masculine singular gewisser, comparative gewisser, superlative am gewissesten)
Their capital was Searobyrig which is Salisbury today.


King Cynegils was the King of the Gewisse / Wessex from 611 to 643. Cynegils was a pagan king but under his rule Wessex started its conversion to Christianity. Cynegils was baptized in 635 by St. Birinus.
Supposed remains of Cynegils in Winchester Cathedral in this chest



The Hwicce People - possibly also the Gewisse and connection to Wicca / Witch / Wich
  • The etymology of the name Hwicce "the Hwiccians" is uncertain. It is the plural of a masculine i-stem. It may be from a tribal name of "the Hwiccians", or it may be from a clan name. One etymology comes from the common noun hwicce "ark, chest, locker", in reference to the appearance of the territory as a flat-bottomed valley bordered by the Cotswolds and the Malvern Hills.
  • A second possibility would be a derivation from a given name, "the people of the man called Hwicce", but no such name has been recorded.
  • Eilert Ekwall connected the name, on linguistic grounds, with that of the Gewisse, the predecessors of the West Saxons.
  • Also suggested by A. H. Smith is a tribal name that was in origin pejorative, meaning "the cowards", cognate to quake, Old Norse hvikari "coward".
  • It is also likely that "Hwicce" referred to the native tribes living along the banks of the River Severn, in the area of today's Worcester, who were weavers using rushes and reeds growing profusely to create baskets.
  • The modern word wicker, which is thought to be of Scandinavian origin, describes the type of baskets produced by these early people. However, there are potential objections to many of these possible explanations.
  • For instance, Richard Coates argues that the essence of an ark is that it is closed, rather than open like a valley or plain; that no cognate of hvikari or contemporary version of wicker is known, and that no full etymological argument to relate Gewisse to Hwicce has been advanced.
  • Stephen Yeates (2008, 2009) has interpreted the name as meaning "cauldron; sacred vessel" and linked to the shape of the Vale of Gloucester and the Romano-British regional cult of a goddess with a bucket or cauldron, identified with a Mater Dobunna, supposedly associated with West Country legends concerning the Holy Grail. However, his interpretation has been widely dismissed by other academics.
  • The toponym Hwicce survives in Wychwood in Oxfordshire, Whichford in Warwickshire, Wichenford, Wychbury Hill, Wyche and Droitwich in Worcestershire. (The 'wich' part of Droitwich is also commonly thought to refer to salt production in that area). In addition, the local government district of Wychavon derived the first element of its name from the old kingdom.
  • Coates (2013) on the other hand believes that the name has a Brythonic origin, related to the modern Welsh gwych meaning 'excellent'. The prefix hy- is an emphatic (roughly meaning 'very') giving something similar to *hywych. Similar known constructions in Welsh include hydda '(very) good', hynaws 'good-natured', hylwydd 'successful', hywiw '(very) worthy' and hywlydd '(very) generous'.



So many eye injuries!
The Bayeux Tapestry tells the story of the events surrounding the conquest of England by the Duke of Normandy.
At the Battle of Hastings in 1066, the last Anglo-Saxon king, Harold Godwinson (1022 – 1066), was apparently slain by an arrow to the eye.
 

Shuna

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J'ai enfin finit mon premier paragraphe sur les égrégores. J'espère, n'avoir rien oublier. Le paragraphe suivant, je parlerais de l'égrégore de la Franc-Maçonnerie, c'est celui, avec lequel j'ai le plus d'informations: Il manque comme même, les effets de la possession, mais n'étant pas sûre à 100%, je n'ai pas encore mit. Les effets visibles sont les cernes noirs, les yeux allant vers le haut, de temps à autre, une trop une trop grande quantité de chaleur, provoquant une hypertension. Comme je ne peut, pas non plus expliquer correctement les effets, je le met, pour le moment de côté. Même, si les cernes noir, par exemples, sont du à l'énergie sombre et non blanche, d'où les pipil noir, sans âme, par exemple:
La concentration énergétique d'un groupe produit un égrégore. Lorsqu'une personne, seule, n'en a majoritairement pas assez. Le moindre manque, empêche l'égrégore d'apparaitre. Lorsqu'il n'y a qu'une infime quantité: le résultât est soit trop léger, ce qui rend l'absorption difficile. Et sans alimentations, il risque de mourir. L'autre possibilité, est qu'il soit trop faible. Il apparait pour disparaitre. En devenant réel, le nuage de fumées, qui n'est autre que sa forme la plus brute. Cette masse noir ou blanche, dont la forme physique, permet à l'égrégore d'intégrer un corps, qui lui est étranger. La possession est aussi possible, lorsqu'il est née ou rallié à (ex: une icone). Mais aussi avec lequel il est né et lié, (ex: un humain). Il est semblable à de la fumée, le corps énergétique, risque de s'évaporer et de provoquer sa mort. Il est donc condamner à devoir s'alimenter tout au long de sa vie. L'obligeant a absorbé en casis permanence l'énergie, qu'elle lui soit donné ou non. Il peut, aussi, ne pas être ou être d'accord avec ces personnes.

I finally finished my first paragraph on the egregores. I hope I haven't forgotten anything. The following paragraph, I would speak about the egregore of Freemasonry, it is the one, with which I have the most information: It lacks like the same, the effects of the possession, but not being sure to 100%, I haven't put it yet. The visible effects are dark circles, eyes going up, from time to time, too much too much heat, causing hypertension. As I cannot explain the effects properly either, I put it aside for the moment. Even if the dark circles, for example, are due to dark energy and not white, hence the black pipil, without soul, for example:
The energetic concentration of a group produces an egregore. When one person, alone, mostly does not have enough. The slightest lack prevents the egregore from appearing. When there is only a tiny amount: the result is either too light, which makes absorption difficult. And without power, he risks dying. The other possibility is that it is too low. It appears to disappear. By becoming real, the cloud of smoke, which is none other than its rawest form. This black or white mass, whose physical form, allows the egregore to integrate a body, which is foreign to it. Possession is also possible, when it is born or joined to (ex: an icon). But also with which he was born and linked, (ex: a human). It is similar to smoke, the energy body, is in danger of evaporating and causing its death. He is therefore condemned to have to eat throughout his life. The obligee has permanently absorbed the energy, whether it is given to him or not. He may also disagree or agree with these people.
 

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J'ai enfin finit mon premier paragraphe sur les égrégores. J'espère, n'avoir rien oublier. Le paragraphe suivant, je parlerais de l'égrégore de la Franc-Maçonnerie, c'est celui, avec lequel j'ai le plus d'informations: Il manque comme même, les effets de la possession, mais n'étant pas sûre à 100%, je n'ai pas encore mit. Les effets visibles sont les cernes noirs, les yeux allant vers le haut, de temps à autre, une trop une trop grande quantité de chaleur, provoquant une hypertension. Comme je ne peut, pas non plus expliquer correctement les effets, je le met, pour le moment de côté. Même, si les cernes noir, par exemples, sont du à l'énergie sombre et non blanche, d'où les pipil noir, sans âme, par exemple:
La concentration énergétique d'un groupe produit un égrégore. Lorsqu'une personne, seule, n'en a majoritairement pas assez. Le moindre manque, empêche l'égrégore d'apparaitre. Lorsqu'il n'y a qu'une infime quantité: le résultât est soit trop léger, ce qui rend l'absorption difficile. Et sans alimentations, il risque de mourir. L'autre possibilité, est qu'il soit trop faible. Il apparait pour disparaitre. En devenant réel, le nuage de fumées, qui n'est autre que sa forme la plus brute. Cette masse noir ou blanche, dont la forme physique, permet à l'égrégore d'intégrer un corps, qui lui est étranger. La possession est aussi possible, lorsqu'il est née ou rallié à (ex: une icone). Mais aussi avec lequel il est né et lié, (ex: un humain). Il est semblable à de la fumée, le corps énergétique, risque de s'évaporer et de provoquer sa mort. Il est donc condamner à devoir s'alimenter tout au long de sa vie. L'obligeant a absorbé en casis permanence l'énergie, qu'elle lui soit donné ou non. Il peut, aussi, ne pas être ou être d'accord avec ces personnes.

I finally finished my first paragraph on the egregores. I hope I haven't forgotten anything. The following paragraph, I would speak about the egregore of Freemasonry, it is the one, with which I have the most information: It lacks like the same, the effects of the possession, but not being sure to 100%, I haven't put it yet. The visible effects are dark circles, eyes going up, from time to time, too much too much heat, causing hypertension. As I cannot explain the effects properly either, I put it aside for the moment. Even if the dark circles, for example, are due to dark energy and not white, hence the black pipil, without soul, for example:
The energetic concentration of a group produces an egregore. When one person, alone, mostly does not have enough. The slightest lack prevents the egregore from appearing. When there is only a tiny amount: the result is either too light, which makes absorption difficult. And without power, he risks dying. The other possibility is that it is too low. It appears to disappear. By becoming real, the cloud of smoke, which is none other than its rawest form. This black or white mass, whose physical form, allows the egregore to integrate a body, which is foreign to it. Possession is also possible, when it is born or joined to (ex: an icon). But also with which he was born and linked, (ex: a human). It is similar to smoke, the energy body, is in danger of evaporating and causing its death. He is therefore condemned to have to eat throughout his life. The obligee has permanently absorbed the energy, whether it is given to him or not. He may also disagree or agree with these people.
Thanks for your explanation! That explains the black goo and black demon possessed eyes. An egregore powered by multiple souls explains why they need a group to chant and perform spells or conjurings.

Black Goo/Oil in Film

Usually it is from outer space (fell from heaven / fallen angel / demons) and possesses someone and they become evil or follow the hive agenda. Sometimes it is the first intelligent being or creator of humans. A sign of the black goo are the black pupils and sometimes the whites of the eyes which is also how demon possession is depicted.

The black goo in Venom and Spiderman - a possessing evil symbiote from outer space


Lucy (Lucifer): Scarlet Johanssen transfer her super intelligence into a ‘black goo’ supercomputer.


X-Files
Purity black oil from the alien colonists
Purity, more commonly referred to as black oil, and called the "black cancer" by the Russians, is an alien virus that thrived underground on Earth, in petroleum deposits. The virus is capable of entering humanoids and assuming control of their bodies. It has sentience and is capable of communicating. It was revealed to be the "life force" of the alien colonists, which they seemingly used to reproduce their kind, as well as infect other alien races in order to conquer the universe.​
The Syndicate in cooperation with the alien Colonists developed a delivery mechanism that would be used to introduce the virus into an unsuspecting public upon colonization. Africanized bees, extremely aggressive, that would sting indiscriminately, would carry the black oil virus through a transgenic corn crop specifically engineered to carry the virus and to attract the bees. The bees would be released on colonization and the infected human beings would become a slave race. The Syndicate, however, secretly tried to create a vaccine to protect themselves, which they code-named "Purity Control." While the Purity Control project ultimately fails, a rival Russian shadow group was successful in developing a weak vaccine that eventually fell into the hands of the Syndicate.​

"The virus is extraterrestrial and lying dormant underground in the form of an evolved pathogen we know very little about it except that it was the original inhabitant of this planet a virus. Its composition has been altered by exposure to radiation a medium being used by some kind of alien creature that uses it to body-jump."​


Prometheus: The black space goo is left by the engineers of humanity to kill off humanity


Armus from Star Trek - shapeshifting evil alien that likes to torture people


Supernatural: demon possession


Greta Thunberg


Billie Eilish possessed

Black Goo
Harald Kautz Vella “ The quantum entanglement between life forms and the Black Goo inside the Earth seems to lead to a very high degree of self-similarity. As a result, Goo mined by past geological events carries a different type of consciousness than Black Goo today. The Black Goo, approximately 300 million years old, mined from oil shale, still carries a reptilian-like consciousness to this day. This break with the current state of consciousness has been seen in mythology as the fall of Lucifer. Over the course of life's evolution, some lifeforms have remained tied to the geologically marginalized Black Goo and have remained glued to reptilian consciousness. “ Black Goo played a major role in the rites of black magic, which were intensively explored by the inner core of the German SS. In the Middle Ages, black magicians used these black stones to come into contact with archons, also called demons, archaic beings that developed from primitive spiders that live entirely as light parasites and attempt to align themselves with man to form a symbiosis, where man feeds on bio-photons and man takes advantage of the mental (magical) abilities of the archons. ”​
Black Goo as programmable matter - nanobytes​
And sometimes demon possession is represented by white eyes​
 

Sibi

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White substance materialization of vapor or goo

Seance Science
WHAT IS ECTOPLASM?
Ectoplasm is an as yet mysterious substance that is exuded from the body’s orifices. It presents itself as a vapor or liquid that quickly solidifies and is molded into various shapes or forms. These range from clouds in which images may appear, to disembodied limbs, to phantoms that walk among and converse with observers. It is also subject to the psychological idiosyncrasies of individual personalities, and may at times be influenced by what Jung called the “trickster” aspect of our psyches.​

WHAT IS ECTOPLASM MADE OF?​
The medium Helen Duncan’s was said to form as a clear material and, very much like egg albumin when cooked, become opaque. An analysis of a sample was said to contain albumin.​
In a letter to the Journal of the Society for Psychical Research (JSPR) a member, Denise Iredell, described Duncan’s ectoplasm as a “milky substance spilled from her nostrils” that would ebb and flow “to and from the floor” and would “snake out across the floor to the ankle level” of the sitter who had been called. She compared it with “the movement and solidification of egg white which spills from a broken egg in a pot of boiling water.”​
She reported that it concentrated and intensified into a “blob” between four and six feet above the ground but with a “misty substance swirling around the lower levels,” and smaller putty-like blobs, which formed on the head of the emerging figure and then refined into features.​
ODOR OF ECTOPLASM?​
Mrs. Iredell, later in her letter, noted that the “characteristic smell of ectoplasm” was “markedly present.” Curious as to what she meant I asked a gentleman who lived in London and knew her well, to find out. He phoned her and, being a very conservative older person, was embarrassed to tell me that her response was “semen.”​
I then mentioned it to another old friend, Arthur Ellison, a scientist and former president of the SPR and experienced researcher who had attended another (male) medium’s ectoplasmic-producing séances, and he confirmed that the odor was indeed similar to that of semen.​
I guess that would make some sense since it is of organic elements from the body.​
LAB ANALYSIS OF ECTOPLASM​
Some 19th century researchers analyzed samples of other mediums’ ectoplasm and found that it contained fats, proteins, and other natural substances found in the human body. Later researchers analyzed samples of the stuff and determined that it was made up of organic substances such as leucocytes, epithelial and other cells. They agreed that it was albuminous and resembled lymph and chyle but was not identical to them.​
The skeptical experts who investigated the famous Neapolitan physical medium Eusapia Palladino under tightly controlled conditions (They were dubbed “The Fraud Squad” by journalist Brian Inglis.) said of ectoplasm that it exuded from the entranced medium’s body through various bodily orifices but could dissipate or be reabsorbed by the medium.​
This was seen more clearly in Duncan’s séances. Her ectoplasmic phantoms would gradually sink into the floor or flow back under the curtains into the cabinet and thus back into the medium.​
Maurice Barbanel, editor and friend of Duncan, described the shrinking size of ectoplasmic forms outside the cabinet, dwindling until they “resembled small globes of light” before disappearing as if through the floor.​
In D. D. Home’s séances hands of many different shapes and sizes would materialize often ending at the wrist or elbow. Although they were quite solid they would dematerialize while in full view. Sir William Crookes reported that he held on to one hand as it gradually turned into a vapor and disappeared. The editor of the Hartford Times reported shaking hands with one of them. When the hand found that it couldn’t get away it yielded itself to him for his examination, turned itself over and back, then shut its fingers and opened them. He then poked his finger through the hand forming a hole. The wound closed leaving a scar before disappearing.​
A similar thing happened when in Crookes’ house; a Dr. Tapp attempted to take the phantom Katie King’s pulse. His fingers went right through her wrist.​
Under Crookes’ test conditions in good light Home too produced phantom people. A dark, shadowy, semi-transparent man was seen by a group of observers waving the window curtain with his hand, then fading away as the group watched. Another time a phantom form came from a corner of the room, took an accordion in its hand, and then glided about the room playing the instrument. Crookes adds that they could see Home, who always stayed seated in their sight in the room, at the same time. When the phantom came close to Mrs. Crookes she gave a slight cry whereupon it sank through the floor. This incident was described in separate reports made by Crookes, Serjeant Cox , the rev. Stainton Moses, and by Ellen Crookes herself.​
 

Shuna

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Correction on Notre Dame, it would have runic symbols of Odin: The video is in French, but you will see the symbols:
Our Lady of Odin - DISCLOSURE CLIP - Builders of Apocalypse #4 - Pagans TV - YouTube
He has a book, also in French (I personally haven't read it):
Our Lady of Odin: Apocalypse of the Builders: Amazon.co.uk: Oleg of Normandy: Books

He also has this link:
Victor Hugo: Notre Dame de Paris on fire - The Viking spirit (esprit-viking.com)

On the other hand, I can confirm that the egregore that the Freemasons pray to is Odin.
 

Shuna

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Correction on Notre Dame, it would have runic symbols of Odin: The video is in French, but you will see the symbols:
Our Lady of Odin - DISCLOSURE CLIP - Builders of Apocalypse #4 - Pagans TV - YouTube
He has a book, also in French (I personally haven't read it):
Our Lady of Odin: Apocalypse of the Builders: Amazon.co.uk: Oleg of Normandy: Books

He also has this link:
Victor Hugo: Notre Dame de Paris on fire - The Viking spirit (esprit-viking.com)

On the other hand, I can confirm that the egregore that the Freemasons pray to is Odin.
Interesting comparison:

I didn't want to mark it now, but it's interesting that Odin represents three parts of the second part of the circle, the semicircle. The sky which is represented by Zeus, Poseidon represents water, water nourishes the earth, but can also drown it, and the last left is hell. represent by Hades. It does not have the earth it is represented by the first Goddess. The first Goddess, who also represents the serpent, the serpent's head. The Ouroboros, the one that eats its tail. That's it, in ancient Egypt, Seth fights the snake and every night Osiris comes to help him. I also wanted to say, that the Freemasons, who pray to Odin, use old Egyptian scrolls. I don't know, what, scrolls.

The other interesting thing, one of the series that I used, Mr. Robot, which I know is depicted, actually uses "Back To The Future". This fight surely composes the egregore Freemasons. Some who have seen it see symbols, which is classic. See the second link:
A Mr Robot Mythological Source : MrRobot (reddit.com)

And overall, it is often linked to the God of Thunder.
 

Shuna

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I wanted to do some confirmatory research. So that's just, to pose one of my old theories. On an idea I had a long time ago. Some see them as extraterrestrials, others as demons, I saw on a site, someone who had compared the images of witnesses of extraterrestrials, with that of demons. They were quite close. Interestingly enough, the aliens are still portrayed with huge black eyes, but since that's related to MK-Ultra. I thought of drugs and other theories like protective gear. But thinking about it, since the egregores, would appear in dreams, seen their form. What's interesting is the shape, of the extraterrestrials, the little gray men. Outside black eyes look like dark circles. The lean form looks like the fact that the egregores only eat energy. And the gray colors, almost black, look like dead bodies. Because the human body becomes black when it loses its soul. The whole thing plays on their characteristics. They can appear in this way, revealing all their physical characteristics or in the form of beings of light. Well it's only theories, based on information from the internet, but I even wanted to mark it. And you that I am there, here is a link in French, which I find interesting:
Magic really exists, but it's not what you think... - Martouf le Synthéticien
 

Shuna

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I found it interesting, at 2:23 of the video he has vampire teeth forming, the color of which is mercury (often also linked to dark matter). And what is interesting, whatever the representation, he is in the cycle, always on the side of the second God (the God of the moon). The pearls reminded me of the Tableau de Venus, where she was born from a shell. Outside the form behind the Gods, represents in France, the shape of a pan tail. Of which each feather represents a God. This may make one think of the soul (compared to the Egyptian book of the dead). The feather is replaced by the pearl, for an egregore spirit? Since the egregore comes from Man, and Man from God:
 

Shuna

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They give birth to a son, Ephraim, and later in this line comes Noah and his wife Naomi of the Ark fame. This is how the #Hivite culture married into State rule (Egypt) & found it's way into the modern era after the great flood (through the #Hivite priestess Naomi) #Phoenicia
Michelangelo knew that and he lived most likely after 1812 catastrophy. He faked himself as earlier author just like Bosh did to pass Hivite censorship.
Michelangelo knew that and he lived most likely after 1812 catastrophy. He faked himself as earlier author just like Bosh did to pass Hivite censorship.
Moses (Michelangelo)


HIVITES: BARBERINI
BARBAR from BERBER has lived near Carthago.

Rome in the Footsteps of an XVIIIth Century Traveller
A Laborious Delivery - the puzzling coats of arms of Urban VIII (1623-1644) by Bernini in S, Pietro
Correction, j'ai fait des recherches, et j'ai pu reconfirmer une théorie. La forme représente une partie de la harpe (de gauche), même si il faut que je vérifie encore, je n'en suis pas totalement sûre. Je crois, que ça d'ailleurs été déjà dit sur le forum, avant de me rappeler de cette veille théorie.
1678458072715.png
Chose intéressante, l'instrument de gauche est souvent jouer, dans les représentations, par un Homme, et l'autre est souvent jouer par une femme. Les têtes d'oiseaux (si dessous):
1678458262399.png
Je ne suis pas sûre, que cela représente, en vrai des têtes d'oiseaux (pas dans l'image bien sûre, mais sûre l'instrument).
Sinon les têtes d'oiseaux, tourne vers l'extérieur, quand il s'agit des représentations de l'Homme, hors, la première image des images que tu as postés dans le cadre. Et à l'intérieur, pour la femme.
Le tableau de Raphael représente justement, l'action de l'étude du son:
7 peintures de Raphaël que vous devriez connaître - Magazine Artsper

Qui d'ailleurs, comme sûre l'autel de l'égrégore, la carapace de tortue a une forme représentant, la forme de la création. L'étude du sons, par onde. Que les personnes utilisaient, où tout autres liquide, comme le vin (on voit sur le tableau, Baccus, regarder l'eau). L'eau = les ondes de la lumière, agis sur la matière, comme l'Homme. Elle est représenté à droite. Au centre, fait un triangle, vers le fond (un très en triangle, qui est utilisé pour la profondeur, dans les dessins). Il a trois étages, et trois fenêtre en haut.
Et la terre et regarde, depuis les gens qui observe = la terre.

Et la colonne et les trois colonnes Franc-Maçonne, est aussi lié à l'instrument... à la beauté. Les trois colonnes aux trois grâces, aux quatre grâces, qui représente les éléments dont le feu, pour la quatrième qui est invisible car intérieur à l'Homme.

Et en parlant de l'Homme, elle est aussi une représentions, qui symbolise des oreilles, la forme prenant l'extérieur du haut et intérieur du bas.
They give birth to a son, Ephraim, and later in this line comes Noah and his wife Naomi of the Ark fame. This is how the #Hivite culture married into State rule (Egypt) & found it's way into the modern era after the great flood (through the #Hivite priestess Naomi) #Phoenicia
Michelangelo knew that and he lived most likely after 1812 catastrophy. He faked himself as earlier author just like Bosh did to pass Hivite censorship.
Michelangelo knew that and he lived most likely after 1812 catastrophy. He faked himself as earlier author just like Bosh did to pass Hivite censorship.
Moses (Michelangelo)


HIVITES: BARBERINI
BARBAR from BERBER has lived near Carthago.

Rome in the Footsteps of an XVIIIth Century Traveller
A Laborious Delivery - the puzzling coats of arms of Urban VIII (1623-1644) by Bernini in S, Pietro
Correction, I did some research, and I was able to reconfirm a theory. The shape represents part of the harp (on the left), although I have to check again, I'm not completely sure. I believe that it has already been said on the forum, before I remembered this old theory:
1678458072715.png
Interestingly enough, the instrument on the left is often played in performances by a man, and the other is often played by a woman. The heads of birds (if below):
1678458262399.png
I'm not sure that this represents, in real life, bird heads (not in the image of course, but of course the instrument).
Otherwise the heads of birds, turn outwards, when it comes to representations of Man, out, the first image of the images you posted in the frame. And inside, for the woman.
Raphael's painting represents precisely the action of the study of sound:
7 peintures de Raphaël que vous devriez connaître - Magazine Artsper

Which moreover, like sure the altar of the egregore, the tortoise shell has a form representing, the form of creation. The study of sound, by wave. That people used, where any other liquid, such as wine (we see on the table, Baccus, looking at the water). Water = waves of light, acts on matter, like Man. She is pictured on the right. In the center, make a triangle, towards the bottom (a very triangle, which is used for depth, in drawings). It has three floors, and three windows upstairs.
And the earth and look, from the people who observe = the earth.

And the column and the three Freemason columns, is also linked to the instrument... to beauty. The three columns with the three graces, with the four graces, which represents the elements including fire, for the fourth which is invisible because it is inside Man.

And speaking of Man, it is also a representation, which symbolizes ears, the shape taking the outside of the top and the inside of the bottom.
 
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Shuna

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Thank you very much!

They represent SOUND a lot. May be it will be to big for explanation but please can you explain why?
Well, they must have studied the influence of sound. And notice, that it formed shapes, which was visible, on the turtle shell for example. The sound = in the light of God, for them. What is revealed, not untrue. Sound can destroy, but also heal, as some see it, as a way to be more spiritual, for use, etc. In short, he sees it as an action of God (of their God).
 
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